robertopamio

YOU ARE WELCOME, Second room on the right

  • March 11, 2025

A jaw capitalism

  • February 18, 2025

The Gazzettino tells our story. Your friends, your customers or your family. In a word, your events. In an architecture environment that was by the entrepreneur for entrepreneurs. Where conviviality never fails, business propellant.


The idea of ​​a villa that was once an entrepreneur and who today hosts entrepreneurs (and not only). Historical courses and appeals, il genius loci of a place for business meetings, networking, team building, Dinners or corporate anniversaries. A place Reserved Where to combine work with conviviality. Because business, then like today, in our Veneto they are made (also) at the table, besieged Green Dal. We like this formula. E not only to us

Far from noisy restaurants, rustic farmhouses, crowded congress centers or magniloquent Veneto villas, a modern place from architecture, in exclusive For the customer but also a resource for the territory. Recently guest at Bailo Museum for the[e]DesignFestival, The villa was also included in the project Atlas of Veneto Modern And it is home to projects such as Companies Talks, singular format of Business Theater of which we are Referents on site. To involve local companies by talking to them about economics and business processes through The story of famous brands and in a way here we are very welcome: so practical. Here the others our various collaborations.

Thanks: @SAararmellin

LA VILLA FROM DESIGN, ARCHITECTURE AND SOCIETY’

  • December 10, 2024

The host villa inside an exhibition that tells, through the works of several architects, Not only the history of the projects but also the portrait of a generation of clients.

A dense and unique event and exhibition. Telling the story of a territory and an era through the relationship between designers and clients. On the one hand, architects trained in a certain school, On the other, a new emerging post -war class eager to be represented by objects and architectures.

[e]DesignFestival, in his fifth year of life, He makes another of his own by creating a spot on exhibition because he tells of a project, of local history (and not) and society to explain the transformation of a territory.

Here the visit virtual

Villa Bornello, drawn by one of the protagonists, Roberto PamiO, and by Renato Toso, participate with drawings, objects e talks, at an event featuring six architects and, potentially, thousand clients. Many of the latter are born at the turn of the years 20 e 30. They are teenagers when they live with the Germans and avoid Allied bombs. After a war, the opportunity is given by an economy that starts again. They are lucky enough to be able to rebuild. A 30-40 years live the Marshall plan and the economic boom. Sometimes without too much schooling, they understood, willpower and religion of work. An all Veneto DNA in a bathroom in a dialect for their native language that lubricates the negotiations and cemented friendships, which changes meaning in Italian: ‘Arrivismo’ not as opportunism, utilitarianism, selfishness but as redemption, self-esteem. Arriving removes the rubble of poverty, of a large recent emigration, of a conflict whose echoes are still heard. It is and habitus by Bordieu, a role related to one's work, to a social position thanks to goods, practices and circles of people. Wealth and social recognition for a generation that is unique in its own way, not so much for the results achieved by some, as well as because widespread capitalism was born with them. Before them an agricultural Veneto, few large industrial companies, a discreet illiteracy; for many others the first class would have cost a thousand lire and the second one hundred, the third pain and fear.

The house is born & Capanon that Paolini tells at the theater, then the North East model, the districts with all their strength and limitations.

We need something to testify, how celebrated, what guests, that sells. The exhibition tells of villas, factories, condominiums, funeral monuments, (but also of public works) and products of that ‘ “Widespread industry of medium technological consumer goods, but with a high image content” as Masiero says, entrusted to architects who interpret the style and expectations of private clients or companies.

An exhibition to visit several times given the deliberately dynamic and chock full of details. A journey within the second half of the '900 local, but from a new and different perspective.

DIFFERENT WITH METHOD. VILLA BORNELLO ALL’ [E]DESIGN FESTIVAL

  • November 19, 2024

Architects and design from IUAV: works from 1960 al 1990. Dal 30 November 2024 al 23 February 2025. Bailo Museum, Treviso

The exhibition, organized by [e]Designfestival, presents architecture and design projects by Treviso architects from the second half of the 20th century. I'm Luciano Gemin, Giuseppe Davanzo and Livia Musini, Vittorio Rossi, Marilena Boccato and Gian Nicola Gigante, Roberto Pamio (designer of Villa Bornello) and finally Paolo Bandiera and Umberto Facchini. The choice of the organizers, with the patronage of the Order of Architects of Treviso and the Treviso Architecture Foundation, allows the villa to be host with original designs and furnishings from our collection designed by Roberto Pamio. We also wink at Gigante & Mouthful, what we talk about who

Here is the presentation of [e]Design Festival.

The exhibition simultaneously hosts another event at the Santa Caterina Museum, with a selection of graphics from the Salce collection, dedicated to graphics, architecture and society of the same period.

For the villa it is a second important step after its recent participation in the project AOMV which works towards similar goals.


Colophon

DIFFERENT WITH METHOD
Architects and design from IUAV: works from 1960 al 1990.
Dal 30 November 2024 al 23 February 2025
Bailo Museum, Treviso
Promoter
[e]DesignFestival
The care of:
Luciano Setten with Giuseppe Cangialosi, Luca Facchini, Mario Gemini
With the patronage of: ADI, FAI

In collaboration with:
City of Treviso, Civic Museums of Treviso, IUAV University of Venice,
Treviso Architecture Foundation, FormaUbis.
TALKS e WORKSHOP the care of:
Paola Bellin

Opening 29 November 2024, ore 18.00
The exhibition will be open according to the opening hours of the Bailo Museum.

FRA ARCHITECTURE, NATURE AND HANDSHAKES. THE VILLA TELLS

  • July 8, 2024

Thanks to @atlasofvenetomodern for last Saturday's visit sponsored by @ordinearchitettitreviso e @fondazionearchitetturatreviso. The project AOVM aims to publish a book on Venetian architecture of the second half of the 20th century in which the villa is present. Thanks to the Arch. Bertin founder at AOVM.

It was a beautiful day in between architecture and anecdotes from the villa. Above all, remembering as a generation of entrepreneurs, at the turn of the economic boom and the birth of the famous Districts of the North East to which they had contributed, turned to architects capable of giving shape to their ambitions. Having presented several dedicated publications along the way was appreciated, many original drawings and also many invoices of the time lovingly typed on two-color tissue paper. Testimony of a sign of the times which completes the history of the villa and its arrival today with many parts (practically all of them) still faithful. By the way, we'll do it next year 50 years. We need to think of something!

Chatter, stories, conviviality, handshakes, turn of the park, nature and refreshment in full mood Villa Bornello.

VILLA BORNELLO IN’ ATLAS OF MODERN VENETO

  • June 18, 2024


Sponsored by Treviso Architecture Foundation and from’Order of Architects of Treviso the project AOMV (Atlas Of Veneto Modern) it is a project that aims to tell the story of the Region through the architecture of the second half of the 20th century. In this period of time, between post-war reconstruction, Marshall plans, economic booms and more, a territory that until a few years ago was predominantly agricultural gives rise to a new generation of entrepreneurs and administrators who give rise to profitable commissions with as many architects and professionals. The project Atlas of Veneto Modern, by the Arch. Davide Bertin, it is not a guide or a tourist map, but an essential tool, inseparable and portable. Vehicle at the service of those who participate or, more simply, he is interested in Italian architecture in Veneto. An exhaustive atlas of "good building" created in the second half of 900.

Atlas of Veneto Modern observes architectures that in some cases have lost their function as a home or infrastructure, but they still show materiality, decorations and details, difficult to replicate today.

E’ above all a new way of thinking, halfway between architecture and sociology, to watch, get an idea and cover established territory, also, of architecture.

For the Villa the date is that of 6 July. Save the date.

Here is the series guided tours. Download it here Press release

Eventbrite Tickets https://www.eventbrite.it/e/biglietti-aovm-villa-bornello-926951395577?aff=oddtdtcreator


WE EXPLORE THE VILLA AND THEN VISIT THE BRION TOMB

  • April 9, 2024

The appointment with the architecture tour in collaboration with is renewed Meter. After the beautiful day last year, il 4 May you will be guests in the villa with a tour of Pamio's work & Toso and an aperitif in the park and then visit Carlo Scarpa's Brion tomb (of which i ‘ our’ they were students) in Caselle di Altivole. All inclusive of authorized guides. You can find info, a pleasant chat where you can chat with the other participants and above all registrations on site the Meeters.

AN EYE WITHOUT AN EYELID

  • March 20, 2024

Like a big eye looking at the property this fixture was born without lids or blinds. An enormous praline inserted by a giant into a concrete glaze causes the wall inside to curve. ‘In dolce’, like many others details of the House. The images of one magazine in which it was published and the very recent ones at ten meters high, for a facelift we are doing to it, allow you to see it (and cuddle him) close.

GOOD 2024

  • December 29, 2023

Greetings Happy New Year from our two kind dwarves’ (they are in fact a couple, also close-knit judging by the images) who wanted to play with some furnishings and furnishings scattered throughout the villa. The same ones who appear here and there and cheer up yours events with a mood that is sometimes refined and sometimes jaunty.

Playing is the right verb because an event, even if it were business, it must always have a leisure component, playful or, at least, convivial and gastronomic. If you then play with the design it's the best!

FROM VILLA BORNELLO TO THE BRION TOMB. ONE TOUR ALL’ SECOND '900 ARCHITECTURE

  • December 13, 2022

They have been telling us for some time that we should also wink at tourism.

Here we are.

Original tour in two steps to the architecture of the second half of the 20th century the one that starts from our villa and arrives at the Brion Tomb. Organized together with the lords of Meter, always non-trivial in their offer, provides for the meeting in the villa for the visit and breakfast to then leave refreshed towards the masterpiece of Carlo Scarpa who decided to be buried there.

The initial purpose of the tour was to leave Villa Bornello to visit residences, factories and architectural sites in Treviso of the second half of 900 (especially of the period 1960-1985) preferably wanted by private clients, united from having believed in architecture as a language creator of places with a strong identity, and from the search for one's own quality of life and a representative place for one's business. Places still modern today. *

Often these patrons were entrepreneurs (as in the case of our villa and the Brion tomb) of the famous North East Model, and it is not out of place to think that these works are in a certain sense allied with the Venetian villas of which they share the territory. The agricultural and landowner use of the Venetian villa is not naturally present in the residences of the wealthy Venetians of the 1960s or 70, young during the war and hit by the economic boom, but they certainly have in common the fact that they were also designed to flaunt a census. The one and the other as representative residences. Hence the contact, 500 years ago as a few decades ago, to well-known architects. Scarpa, Morassutti, surplus, Fontana, Rossi, Goria, Porters&Flag, twin, Pamio, just to name a few of the Treviso area.

Back to our day. The breakfast, ideal opportunity to recharge your batteries and get to know the other participants. This will be followed by a visit to our villa designed by Roberto Pamio in the same years as the Brion Tomb, with its particular spaces, the double-height central hall, the grand monumental staircase, the eccentric cone section in the east wall and the unique "in casa" pond. All embraced by a hectare and a half of parkland.

We then move to the municipality of Altivole and immerse ourselves in the Brion Tomb, a monumental site of recent FAI heritage, with its obvious traits related to modernism, to brutalism, to Venetian art and oriental philosophies.

*It is not excluded that in the future the tour will last the whole day with a visit to other recent architectures.

HELLO ROBERTO

  • November 26, 2021
CIAO ROBERTO

For artists, there is no detail that is small. When I met him I was struck by the good-natured vanity of the architect. Perhaps because he is Venetian, perhaps because he is an architect. Certainly because he knew he had used ancient materials such as glass or wood in modern objects from less is more. It helped that between art, architecture and design has been through every bit.

When he came to our villa, designed by him together with Renato Toso, he didn't talk about the volumes, of double heights, of the elevations, large fixtures or light. Instead, he pointed out the little things to friends and colleagues who accompanied him, the details at the time perhaps escaped the control of the client and on which he had followed the soft lines used a little’ everywhere. Finishes for which it is sometimes necessary to look under a table, leaning over a wall, pass a hand to feel it by touch. The smoothness and moldings of wood and marble, the sinuous base of the lunch bench, designed to accommodate the feet, which dialogues with the concave steps of the large central spiral staircase. Among them the terracotta tiles of the fireplace, of which we propose his original drawings, the maritime staircase, the eccentric cone, the long Venetian wall. And so on.

When I was working in a lamp components factory, I met the architect Pamio” a technician once told me, now retired. And he added : “si involved bending a metal stem for one of his lamps in three different places. I did not object with him but when I was alone with the owner I confessed that one or two folds remained in the costs, the third would make them rise. I said it was 'the stuff of architects', that two were enough and that the next meeting with Pamio would tactfully dissuade him from wanting the third, worth putting on the market a lamp with an excessive cost with repercussions on sales.” When the architect returned shortly afterwards, the owner took it from afar, depicting a lamp that was still beautiful but with a more attractive cost and higher sales. With all-Venetian pragmatism, the owner said that it was easier to sell a thirty thousand lire lamp rather than a sixty thousand one.. Pamio's answer was, the worker tells, of the following content: “the third fold is done because I design for those who want to spend sixty thousand lire.

And when one day, in the villa, sitting on his' Checkmate’ designed for Arflex, I asked him what kind of client my father had been, he replied wisely, managing to join dig, pride as an architect and esteem: ” un pain in the ass but in the end he did as I said because he liked beautiful things“.

Hello Roberto.

VENETICA. KITCHEN AND DESIGN IN THE VILLA

  • May 3, 2021
VENETICA. CUCINA E DESIGN IN VILLA

You have booked for the event of 9 May organized by the chef@stefanovocaturo? With us also friends of Staygreen ed Interior Attic with some pieces from the collection of furnishings designed by @studio_pamio in homage to the same Roberto Pamio designer of Villa Bornello, long a continuum between past and present.

The historical courses and resorts that we like ! For info 3289321333.

Limited seats. Let's go kids! Browse the invitation below

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