roberto pamio

HELLO ROBERTO

  • November 26, 2021
CIAO ROBERTO

For artists, there is no detail that is small. When I met him I was struck by the good-natured vanity of the architect. Perhaps because he is Venetian, perhaps because he is an architect. Certainly because he knew he had used ancient materials such as glass or wood in modern objects from less is more. It helped that between art, architecture and design has been through every bit.

When he came to our villa, designed by him together with Renato Toso, he didn't talk about the volumes, of double heights, of the elevations, large fixtures or light. Instead, he pointed out the little things to friends and colleagues who accompanied him, the details at the time perhaps escaped the control of the client and on which he had followed the soft lines used a little’ everywhere. Finishes for which it is sometimes necessary to look under a table, leaning over a wall, pass a hand to feel it by touch. The smoothness and moldings of wood and marble, the sinuous base of the lunch bench, designed to accommodate the feet, which dialogues with the concave steps of the large central spiral staircase. Among them the terracotta tiles of the fireplace, of which we propose his original drawings, the maritime staircase, the eccentric cone, the long Venetian wall. And so on.

When I was working in a lamp components factory, I met the architect Pamio” a technician once told me, now retired. And he added : “si involved bending a metal stem for one of his lamps in three different places. I did not object with him but when I was alone with the owner I confessed that one or two folds remained in the costs, the third would make them rise. I said it was 'the stuff of architects', that two were enough and that the next meeting with Pamio would tactfully dissuade him from wanting the third, worth putting on the market a lamp with an excessive cost with repercussions on sales.” When the architect returned shortly afterwards, the owner took it from afar, depicting a lamp that was still beautiful but with a more attractive cost and higher sales. With all-Venetian pragmatism, the owner said that it was easier to sell a thirty thousand lire lamp rather than a sixty thousand one.. Pamio's answer was, the worker tells, of the following content: “the third fold is done because I design for those who want to spend sixty thousand lire.

And when one day, in the villa, sitting on his' Checkmate’ designed for Arflex, I asked him what kind of client my father had been, he replied wisely, managing to join dig, pride as an architect and esteem: ” un pain in the ass but in the end he did as I said because he liked beautiful things“.

Hello Roberto.

SHADOWS AT DAWN

  • April 27, 2021
OMBRE ALL’ALBA

No, it is not a photomontage. The trees are so close to the villa that the low light of dawn draws shadows on the entire east wall. Outside the breakfast rooms, the croissants with juice, pane, butter, jam and bubbling cucumber!

Ideal menu also for business breakfast which we hope, soon, to resume. 😎😜

IN THE NAME OF FRANK ( and others)

  • June 20, 2019
NEL NOME DI FRANK ( ed altri)

In a magazine where the Villa was defined as ‘almost archaic rigor‘. There are many references to the organic architecture defined by Frank Lloyd Wright as “a branch of architecture that promotes harmony between man and nature, creating a new system in balance between built environment and natural environment through the integration of various man-made artificial elements (buildings, furnishings, etc.), and natural surroundings of the site. All become part of a single interconnected organic architectural space”.

The villa wraps the pond as a place for summer conviviality and at the same time contains the large one central fireplace as a space for winter communion. Water and fire as opposed but natural elements and wanted for the same purpose. The extensive use of wood and many architectural references make the property a particular place for the unsettling succession of chiaroscuro, change of direction, details, hidden environments and unexpected volumes. But all with the common denominator of the object surrounded by nature. Nature that besieges and seems to want to enter thanks to the wide passages, without barriers, accompanied by the light that penetrates the many holes at any time of day.

As in the best Wrightian tradition, every detail is custom designed, from furnishings to fixtures, from the doors to the lighting, from handles to built-in wardrobes, from the central staircase to the skylights. A unique one also for yours events.

 

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